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Olivia de Salve Villedieu


Books

Atlas, Pural, Monumental
High Art: Public Art of the High Line
Et Al 

Bon Appétit: The Food Lover’s Cleanse
Mark Bittman: How to Cook Everything Fast
Body of Work (Thesis Book & Presentation)
End of Days
An Inconvenient Sequel
TED Books

Yale School of Architecture

Process Book

Thesis Compendium

Notebooks 1–15

The Fantastic Archive of Jordan Schwamm

Print

New York Times: A Brief History of Bras in Crosswords
The Baffler: Conserving Liberalism
Editorial Infographics
Modern Farmer Magazine
MoMA Kids Guides
MoMA Swag & Podcasts
Play, Practice, Prototype, Critique
Riso Form Zine
Exquisite
Informed, Weekly

The Petit Cinema of John Baldessari

Remoldable Body

Environmental

THC NYC

People, Place, Influence (MCNY)

Striking Beauty

Ma Bell: The Mother of Invention In New Jersey
Dorothea Lange (MoMA)

Art Lab (MoMA)

Private Lives Public Spaces (MoMA)
MoMA Temporary Signage System
Alan M. Voorhees Transportation Center (Rutgers)
Silver to Steel (CMOA)
Re—Circulation (MFA Exhibition)

Objects

Floppy Tools
Harry’s Holiday
Pin Me Against the Wall, Baby

Arthur Moon

Feeeels Scarf

Identity

Circa Brewing Co.

Unbound Art Book Fair
Recess

Mélange (other)

Arthur Moon: Singles
Exhibitionism
Making It New 
Painting With Paintings
Mission Blackwell
Wikipedia Still Lifes
Bound to the Eastward / Cruising to the Westward

New Life Form

Miscellaneous Things

Videos

Release

Apprendre le Français en 30 secondes
Palindromes 1, 2, 3

Interviews

Miranda July

Tereza Ruller (of The Rodina)

Essays

Making It New



Mark

Striking Beauty


 


Striking Beauty: New Jersey Tall Case Clocks 1730–1830 at the Morven Museum and Garden in Princeton, NJ features over 50 tall case clocks, representing almost as many different clockmakers. The exhibition, which spans across five galleries, explores the experiences of the artisans and apprentices, free and enslaved, who contributed to this unique craft in New Jersey. The design of the exhibit leverages flourishes, illustrations, and roman numerals from the clock’s faces and incorporates accents of gold and silver vinyl throughout. The blue accents stand in sharp contrast to the wood of the clocks and introduces a more contemporary take for the exhibition.


Mark

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