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Olivia de Salve Villedieu


Objects

Floppy Hammer
Arthur Moon: Chaos! Chaos! Chaos!
Arthur Moon (Self-titled)
Feeeels Magazine: Scarf
Harry’s Razors: Holiday Packaging
Pin Me Against the Wall, Baby

Books

Body of Work (Thesis Book & Presentation)
Atlas, Pural, Monumental
High Art: Public Art of the High Line

Bon Appétit: The Food Lover’s Cleanse
Bank of America: End of Days
An Inconvenient Sequel: Truth to Power
TED Books

Yale School of Architecture

Process Book

Thesis Compendium

Notebooks 1–15

The Fantastic Archive of Jordan Schwamm

Et Al 

Illustration

The Baffler: Conserving Liberalism

New York Times: A Brief History of Bras in Crosswords

Mark Bittman: How to Cook Everything Fast

Printed Matter

MoMA: Kids Guides
MoMA: Printed Matter & Podcasts
Various Editorial Infographics
Modern Farmer Magazine
The Petit Cinema of John Baldessari
Play, Practice, Prototype, Critique
Form (Riso Zine)
Exquisite (Riso Zine)
Remoldable Body (Riso Zine)
Informed, Weekly

Environmental

THC NYC

People, Place, Influence (MCNY)

Above Ground (MCNY)

Dorothea Lange (MoMA)

Private Lives Public Spaces (MoMA)

Art Lab (MoMA)

MoMA Temporary Signage System
Striking Beauty (Morven Museum)
Ma Bell (Morven Museum)
Alan M. Voorhees Transportation Center (Rutgers)
Silver to Steel (CMOA)
Re—Circulation (MFA Exhibition)

Identity

Circa Brewing Co.

Unbound Art Book Fair
Recess

Mélange (other)

Exhibitionism
Making It New 
Wikipedia Still Lifes
Bound to the Eastward / Cruising to the Westward
Mission Blackwell
Painting With Paintings

New Life Form

Miscellaneous Things

Videos

Release

Apprendre le Français en 30 secondes
Palindromes 1, 2, 3

Interviews

Miranda July

Tereza Ruller (of The Rodina)

Essays

Making It New



Mark

People, Place, Influence (MCNY)




As a part of the Museum of the City of New York’s Centennial Celebration, People, Place, Influence: The Collection at 100 delves into MCNY’s collection to examine the eclectic range of objects collected by the institution over the last 100 years. This exhibition reflects on the museums history and found methodology to highlight objects that capture New York as a place, a population, a platform for creativity, and a center for influence. The layout of the exhibition’s content leverages the architectural arches of the building to house themes and a painted gradient circles the room to highlight the transition of sections— a design cue first introduced on the title wall. The exhibition is accompanied by a booklet that includes extended captions and image details of the displayed works.

More documentation images coming soon! :)





Curated by Lilly Tuttle & Susan Gail Johnson
Designed in collaboration with Marissa Martonyi with help from Ian Keliher, Philip Poon, and Joanna Vergas
Amazing painted gradients by the Williams Brothers & graphic fabrications by our best buddies at Full Point Graphics
Booklet printed by Linco Printing 
Mark

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