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Olivia de Salve Villedieu


Atlas, Pural, Monumental
High Art: Public Art of the High Line
Et Al 

Bon Appétit: The Food Lover’s Cleanse
Mark Bittman: How to Cook Everything Fast
Body of Work (Thesis Book & Presentation)
End of Days
An Inconvenient Sequel
TED Books

Yale School of Architecture

Process Book

Thesis Compendium

Notebooks 1–15

The Fantastic Archive of Jordan Schwamm


New York Times: A Brief History of Bras in Crosswords
The Baffler: Conserving Liberalism
Editorial Infographics
Modern Farmer Magazine
MoMA Kids Guides
MoMA Swag & Podcasts
Play, Practice, Prototype, Critique
Riso Form Zine
Informed, Weekly

The Petit Cinema of John Baldessari

Remoldable Body



People, Place, Influence (MCNY)

Striking Beauty

Ma Bell: The Mother of Invention In New Jersey
Dorothea Lange (MoMA)

Art Lab (MoMA)

Private Lives Public Spaces (MoMA)
MoMA Temporary Signage System
Alan M. Voorhees Transportation Center (Rutgers)
Silver to Steel (CMOA)
Re—Circulation (MFA Exhibition)


Floppy Tools
Harry’s Holiday
Pin Me Against the Wall, Baby

Arthur Moon

Feeeels Scarf


Circa Brewing Co.

Unbound Art Book Fair

Mélange (other)

Arthur Moon: Singles
Making It New 
Painting With Paintings
Mission Blackwell
Wikipedia Still Lifes
Bound to the Eastward / Cruising to the Westward

New Life Form

Miscellaneous Things



Apprendre le Français en 30 secondes
Palindromes 1, 2, 3


Miranda July

Tereza Ruller (of The Rodina)


Making It New


People, Place, Influence (MCNY)

As a part of the Museum of the City of New York’s Centennial Celebration, People, Place, Influence: The Collection at 100 delves into MCNY’s collection to examine the eclectic range of objects collected by the institution over the last 100 years. This exhibition reflects on the museums history and found methodology to highlight objects that capture New York as a place, a population, a platform for creativity, and a center for influence. The layout of the exhibition’s content leverages the architectural arches of the building to house themes and a painted gradient circles the room to highlight the transition of sections— a design cue first introduced on the title wall. The exhibition is accompanied by a booklet that includes extended captions and image details of the displayed works.

More documentation images coming soon! :)

Curated by Lilly Tuttle & Susan Gail Johnson
Designed in collaboration with Marissa Martonyi with help from Ian Keliher, Philip Poon, and Joanna Vergas
Amazing painted gradients by the Williams Brothers & graphic fabrications by our best buddies at Full Point Graphics
Booklet printed by Linco Printing 

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