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Olivia de Salve Villedieu


Atlas, Pural, Monumental
High Art: Public Art of the High Line
Et Al 

Bon Appétit: The Food Lover’s Cleanse
Mark Bittman: How to Cook Everything Fast
Body of Work (Thesis Book & Presentation)
End of Days
An Inconvenient Sequel
TED Books

Yale School of Architecture

Process Book

Thesis Compendium

Notebooks 1–15

The Fantastic Archive of Jordan Schwamm


New York Times: A Brief History of Bras in Crosswords
The Baffler: Conserving Liberalism
Editorial Infographics
Modern Farmer Magazine
MoMA Kids Guides
MoMA Swag & Podcasts
Play, Practice, Prototype, Critique
Riso Form Zine
Informed, Weekly

The Petit Cinema of John Baldessari

Remoldable Body



People, Place, Influence (MCNY)

Striking Beauty

Ma Bell: The Mother of Invention In New Jersey
Dorothea Lange (MoMA)

Art Lab (MoMA)

Private Lives Public Spaces (MoMA)
MoMA Temporary Signage System
Alan M. Voorhees Transportation Center (Rutgers)
Silver to Steel (CMOA)
Re—Circulation (MFA Exhibition)


Floppy Tools
Harry’s Holiday
Pin Me Against the Wall, Baby

Arthur Moon

Feeeels Scarf


Circa Brewing Co.

Unbound Art Book Fair

Mélange (other)

Arthur Moon: Singles
Making It New 
Painting With Paintings
Mission Blackwell
Wikipedia Still Lifes
Bound to the Eastward / Cruising to the Westward

New Life Form

Miscellaneous Things



Apprendre le Français en 30 secondes
Palindromes 1, 2, 3


Miranda July

Tereza Ruller (of The Rodina)


Making It New


Process Book


Process Book is a collection of some of my early short writings as well as projects about graphic design and accountability. It starts with “In the Wild”, a walking tour of stolen and appropriated graphic design that attempts to question authorship. At what point does appropriation become plagiarism? How are we as artists and designers accountable for the work that we reference, copy, and steal? The essay “2017 Sept 30 11:32 PM” was inspired by The Serving Library Annual’s lecture at the New York Art Book Fair, and I held myself accountable; I had acquainted with but had never made the effort to understand Dexter Sinister’s Bulletins of The Serving Library. In “A Reminder”, I explore Shannon Ebner’s book A Public Character and her collaboration with David Reinfurt on A HUDSON YARD. The project critiques the shifting landscape of the New York City art world and the changes happening within the Chelsea neighborhood. In “A Beautiful Exhibition for Beautiful Books”, I criticize the designers and curators for not challenging what beautiful design could be, and instead passively designing a beautiful exhibition to frame a predetermined standard of beautiful books. Compiling this Process Book was a reminder to me that as designers we have a responsibility to stay critical of the things we see and make.

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