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Olivia de Salve Villedieu


Objects

Floppy Hammer
Arthur Moon: Chaos! Chaos! Chaos!
Arthur Moon (Self-titled)
Feeeels Magazine: Scarf
Harry’s Razors: Holiday Packaging
Pin Me Against the Wall, Baby

Books

Body of Work (Thesis Book & Presentation)
Atlas, Pural, Monumental
High Art: Public Art of the High Line

Bon Appétit: The Food Lover’s Cleanse
Bank of America: End of Days
An Inconvenient Sequel: Truth to Power
TED Books

Yale School of Architecture

Process Book

Thesis Compendium

Notebooks 1–15

The Fantastic Archive of Jordan Schwamm

Et Al 

Illustration

The Baffler: Conserving Liberalism

New York Times: A Brief History of Bras in Crosswords

Mark Bittman: How to Cook Everything Fast

Printed Matter

MoMA: Kids Guides
MoMA: Printed Matter & Podcasts
Various Editorial Infographics
Modern Farmer Magazine
The Petit Cinema of John Baldessari
Play, Practice, Prototype, Critique
Form (Riso Zine)
Exquisite (Riso Zine)
Remoldable Body (Riso Zine)
Informed, Weekly

Environmental

THC NYC

People, Place, Influence (MCNY)

Above Ground (MCNY)

Dorothea Lange (MoMA)

Private Lives Public Spaces (MoMA)

Art Lab (MoMA)

MoMA Temporary Signage System
Striking Beauty (Morven Museum)
Ma Bell (Morven Museum)
Alan M. Voorhees Transportation Center (Rutgers)
Silver to Steel (CMOA)
Re—Circulation (MFA Exhibition)

Identity

Circa Brewing Co.

Unbound Art Book Fair
Recess

Mélange (other)

Exhibitionism
Making It New 
Wikipedia Still Lifes
Bound to the Eastward / Cruising to the Westward
Mission Blackwell
Painting With Paintings

New Life Form

Miscellaneous Things

Videos

Release

Apprendre le Français en 30 secondes
Palindromes 1, 2, 3

Interviews

Miranda July

Tereza Ruller (of The Rodina)

Essays

Making It New



Mark

Process Book


 

Process Book is a collection of some of my early short writings as well as projects about graphic design and accountability. It starts with “In the Wild”, a walking tour of stolen and appropriated graphic design that attempts to question authorship. At what point does appropriation become plagiarism? How are we as artists and designers accountable for the work that we reference, copy, and steal? The essay “2017 Sept 30 11:32 PM” was inspired by The Serving Library Annual’s lecture at the New York Art Book Fair, and I held myself accountable; I had acquainted with but had never made the effort to understand Dexter Sinister’s Bulletins of The Serving Library. In “A Reminder”, I explore Shannon Ebner’s book A Public Character and her collaboration with David Reinfurt on A HUDSON YARD. The project critiques the shifting landscape of the New York City art world and the changes happening within the Chelsea neighborhood. In “A Beautiful Exhibition for Beautiful Books”, I criticize the designers and curators for not challenging what beautiful design could be, and instead passively designing a beautiful exhibition to frame a predetermined standard of beautiful books. Compiling this Process Book was a reminder to me that as designers we have a responsibility to stay critical of the things we see and make.
Mark

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