Info   Index

Olivia de Salve Villedieu


Atlas, Pural, Monumental
High Art: Public Art of the High Line
Et Al 

Bon Appétit: The Food Lover’s Cleanse
Mark Bittman: How to Cook Everything Fast
Body of Work (Thesis Book & Presentation)
End of Days
An Inconvenient Sequel
TED Books

Yale School of Architecture

Process Book

Thesis Compendium

Notebooks 1–15

The Fantastic Archive of Jordan Schwamm


New York Times: A Brief History of Bras in Crosswords
The Baffler: Conserving Liberalism
Editorial Infographics
Modern Farmer Magazine
MoMA Kids Guides
MoMA Swag & Podcasts
Play, Practice, Prototype, Critique
Riso Form Zine
Informed, Weekly

The Petit Cinema of John Baldessari

Remoldable Body



People, Place, Influence (MCNY)

Striking Beauty

Ma Bell: The Mother of Invention In New Jersey
Dorothea Lange (MoMA)

Art Lab (MoMA)

Private Lives Public Spaces (MoMA)
MoMA Temporary Signage System
Alan M. Voorhees Transportation Center (Rutgers)
Silver to Steel (CMOA)
Re—Circulation (MFA Exhibition)


Floppy Tools
Harry’s Holiday
Pin Me Against the Wall, Baby

Arthur Moon

Feeeels Scarf


Circa Brewing Co.

Unbound Art Book Fair

Mélange (other)

Arthur Moon: Singles
Making It New 
Painting With Paintings
Mission Blackwell
Wikipedia Still Lifes
Bound to the Eastward / Cruising to the Westward

New Life Form

Miscellaneous Things



Apprendre le Français en 30 secondes
Palindromes 1, 2, 3


Miranda July

Tereza Ruller (of The Rodina)


Making It New


Play, Practice, Prototype, Critique

I collaborated with Annaka Olsen to design the RISD GD Triennial exhibition catalogue. It was conceived and printed in ten days, which allowed for the design to be messy and not precious. The publication included a catalogue and four newsprint posters (one for each curatorial section of the exhibition: Play, Practice, Prototype, Critique). These works were wrapped in the curatorial statement and housed in a large ziplock bag filled with shiny black-and-white confetti. With the design, we were interested in questioning existing formal design structures and hierarchy. The first page of the catalogue starts on the cover; the centerfold becomes the cover. What is important about a book is its content—starting the content before the cover puts the content first and subverts the cover’s function. Because the publication is stapled, the reader can flip the book inside out to “right” the cover—but now its structure is broken by the reader and its content, initially organized alphabetically, is out of order. The design of the entries in the catalogue mimic the Excel sheet we extracted text from, and we used a script that automatically placed this text into our InDesign document. The entire publication is set in 22-point Graphik Medium (without italics). As we pushed against normative hierarchies, we discovered that it did not remove them, but instead, introduced new and unconventional ways of creating hierarchy.

Designed in collaboration with Annaka OlsenJoel Kern, and Goeun Park

Index    Next