Info   Index

Olivia de Salve Villedieu


Atlas, Pural, Monumental
High Art: Public Art of the High Line
Et Al 

Bon Appétit: The Food Lover’s Cleanse
Mark Bittman: How to Cook Everything Fast
Body of Work (Thesis Book & Presentation)
End of Days
An Inconvenient Sequel
TED Books

Yale School of Architecture

Process Book

Thesis Compendium

Notebooks 1–15

The Fantastic Archive of Jordan Schwamm


New York Times: A Brief History of Bras in Crosswords
The Baffler: Conserving Liberalism
Editorial Infographics
Modern Farmer Magazine
MoMA Kids Guides
MoMA Swag & Podcasts
Play, Practice, Prototype, Critique
Riso Form Zine
Informed, Weekly

The Petit Cinema of John Baldessari

Remoldable Body



People, Place, Influence (MCNY)

Striking Beauty

Ma Bell: The Mother of Invention In New Jersey
Dorothea Lange (MoMA)

Art Lab (MoMA)

Private Lives Public Spaces (MoMA)
MoMA Temporary Signage System
Alan M. Voorhees Transportation Center (Rutgers)
Silver to Steel (CMOA)
Re—Circulation (MFA Exhibition)


Floppy Tools
Harry’s Holiday
Pin Me Against the Wall, Baby

Arthur Moon

Feeeels Scarf


Circa Brewing Co.

Unbound Art Book Fair

Mélange (other)

Arthur Moon: Singles
Making It New 
Painting With Paintings
Mission Blackwell
Wikipedia Still Lifes
Bound to the Eastward / Cruising to the Westward

New Life Form

Miscellaneous Things



Apprendre le Français en 30 secondes
Palindromes 1, 2, 3


Miranda July

Tereza Ruller (of The Rodina)


Making It New



Printed with gold and black ink on the risograph, Exquisite is a small book that indexes and fragments the human figure. It borrows parts from eight different humans and sequences them from the top down (forehead, eyes, nose, breasts, hands, stomach, penis, and legs) to imply a single body. Each photographed individual was also asked to contribute a sentence, unaware of its context in the larger narrative. These phrases have been collaged together in the same order as the portraits to create a disjointed and eerily poetic paragraph.

Text reads:

I yearn for a silent soundscape, hearing nothing but the sound of my blood pumping through my veins. The land is important to me, but even more important is the idea that it becomes a “place” because someone has been there. I’m asking the monkey what it wants. Do you remember that day when we were seven years old and you started a mud fight and then I cried while sitting in a pile of fire ants? I masturbated for the first time when I was in the third grade. I am spiraling out of control, but my palms caught me. I can’t control the light that comes through. Every morning I would sit by my bed and watch him swim around in circles, in circles, in circles, in circles until one day he was gone.


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