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Olivia de Salve Villedieu


Objects

Floppy Hammer
Arthur Moon: Chaos! Chaos! Chaos!
Arthur Moon (Self-titled)
Feeeels Magazine: Scarf
Harry’s Razors: Holiday Packaging
Pin Me Against the Wall, Baby

Books

Body of Work (Thesis Book & Presentation)
Atlas, Pural, Monumental
High Art: Public Art of the High Line

Bon Appétit: The Food Lover’s Cleanse
Bank of America: End of Days
An Inconvenient Sequel: Truth to Power
TED Books

Yale School of Architecture

Process Book

Thesis Compendium

Notebooks 1–15

The Fantastic Archive of Jordan Schwamm

Et Al 

Illustration

The Baffler: Conserving Liberalism

New York Times: A Brief History of Bras in Crosswords

Mark Bittman: How to Cook Everything Fast

Printed Matter

MoMA: Kids Guides
MoMA: Printed Matter & Podcasts
Various Editorial Infographics
Modern Farmer Magazine
The Petit Cinema of John Baldessari
Play, Practice, Prototype, Critique
Form (Riso Zine)
Exquisite (Riso Zine)
Remoldable Body (Riso Zine)
Informed, Weekly

Environmental

THC NYC

People, Place, Influence (MCNY)

Above Ground (MCNY)

Dorothea Lange (MoMA)

Private Lives Public Spaces (MoMA)

Art Lab (MoMA)

MoMA Temporary Signage System
Striking Beauty (Morven Museum)
Ma Bell (Morven Museum)
Alan M. Voorhees Transportation Center (Rutgers)
Silver to Steel (CMOA)
Re—Circulation (MFA Exhibition)

Identity

Circa Brewing Co.

Unbound Art Book Fair
Recess

Mélange (other)

Exhibitionism
Making It New 
Wikipedia Still Lifes
Bound to the Eastward / Cruising to the Westward
Mission Blackwell
Painting With Paintings

New Life Form

Miscellaneous Things

Videos

Release

Apprendre le Français en 30 secondes
Palindromes 1, 2, 3

Interviews

Miranda July

Tereza Ruller (of The Rodina)

Essays

Making It New



Mark

Arthur Moon: Chaos! Chaos! Chaos!



Design, photography, and art direction for the avant-pop group Arthur Moon’s second studio album and record, Chaos! Chaos! Chaos! The band’s lead, Lora-Faye Åshuvud, wrote this album as a chaotic exploration of queerness and gender. The album’s design is very photo-heavy and picks up motifs in the lyrics to create surrealistic imagery and embrace organized chaos — sometimes beautiful and grotesque. The visuals work hard to embody the band’s music and tone. As Lora-Faye told Brooklyn Magazine, “I wanted to make a record that felt like it expressed the cohesiveness of all that in one experience, but also this fractured incoherence of that experience.” Buy the record here.


When the album’s record sleeve is opened up completely, the photos on the front cover reveal the record’s title, Chaos! Chaos! Chaos!, abstractly written out in objects.


On the inside of the sleeve, instead of classically labeling the record sides a and b, the sides are labeled with eggs and orange imagery (which also correspond to the artwork on the vinyl record inside). Inside the sleeve with the vinyl record, you will find a 24-page booklet that includes bizarre imagery, grotesque recipes, iconic quotes, lyrics to all of the songs, and the record “Nutritional Facts” (aka – credits).




These quotidian objects have created a visual language and system that has encompassed all aspects of the album release — this includes not only the album itself but is also carried through the single release covers, videos, posters, t-shirts, and stickers released in tandem with the record.




The images were also translated into videos for select singles. These videos played on Spotify and were used across social assets.  


Mark

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