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Olivia de Salve Villedieu


Objects

Floppy Hammer
Arthur Moon: Chaos! Chaos! Chaos!
Arthur Moon (Self-titled)
Feeeels Magazine: Scarf
Harry’s Razors: Holiday Packaging
Pin Me Against the Wall, Baby

Books

Body of Work (Thesis Book & Presentation)
Atlas, Pural, Monumental
High Art: Public Art of the High Line

Bon Appétit: The Food Lover’s Cleanse
Bank of America: End of Days
An Inconvenient Sequel: Truth to Power
TED Books

Yale School of Architecture

Process Book

Thesis Compendium

Notebooks 1–15

The Fantastic Archive of Jordan Schwamm

Et Al 

Illustration

The Baffler: Conserving Liberalism

New York Times: A Brief History of Bras in Crosswords

Mark Bittman: How to Cook Everything Fast

Printed Matter

MoMA: Kids Guides
MoMA: Printed Matter & Podcasts
Various Editorial Infographics
Modern Farmer Magazine
The Petit Cinema of John Baldessari
Play, Practice, Prototype, Critique
Form (Riso Zine)
Exquisite (Riso Zine)
Remoldable Body (Riso Zine)
Informed, Weekly

Environmental

THC NYC

People, Place, Influence (MCNY)

Above Ground (MCNY)

Dorothea Lange (MoMA)

Private Lives Public Spaces (MoMA)

Art Lab (MoMA)

MoMA Temporary Signage System
Striking Beauty (Morven Museum)
Ma Bell (Morven Museum)
Alan M. Voorhees Transportation Center (Rutgers)
Silver to Steel (CMOA)
Re—Circulation (MFA Exhibition)

Identity

Circa Brewing Co.

Unbound Art Book Fair
Recess

Mélange (other)

Exhibitionism
Making It New 
Wikipedia Still Lifes
Bound to the Eastward / Cruising to the Westward
Mission Blackwell
Painting With Paintings

New Life Form

Miscellaneous Things

Videos

Release

Apprendre le Français en 30 secondes
Palindromes 1, 2, 3

Interviews

Miranda July

Tereza Ruller (of The Rodina)

Essays

Making It New



Mark

Exquisite (Riso Zine)


Printed with gold and black ink on the risograph, Exquisite is a small book that indexes and fragments the human figure. It borrows parts from eight different humans and sequences them from the top down (forehead, eyes, nose, breasts, hands, stomach, penis, and legs) to imply a single body. Each photographed individual was also asked to contribute a sentence, unaware of its context in the larger narrative. These phrases have been collaged together in the same order as the portraits to create a disjointed and eerily poetic paragraph.



Text reads:

I yearn for a silent soundscape, hearing nothing but the sound of my blood pumping through my veins. The land is important to me, but even more important is the idea that it becomes a “place” because someone has been there. I’m asking the monkey what it wants. Do you remember that day when we were seven years old and you started a mud fight and then I cried while sitting in a pile of fire ants? I masturbated for the first time when I was in the third grade. I am spiraling out of control, but my palms caught me. I can’t control the light that comes through. Every morning I would sit by my bed and watch him swim around in circles, in circles, in circles, in circles until one day he was gone.



Mark

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